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For science fiction lovers - especially those who have followed the career of Avram Davidson - this is a special treat. Everybody Has Somebody In Heaven is a posthumous collection of the award-winning science-fiction writer's complete Jewish works. It includes some of his most famous short stories, such as "The Golem," and many of his short nonfiction pieces which shed light on the vicissitudes of his own life, as well as the lives of the people he describes. In addition to Davidson's work, there are biographical sketches about the author by science fiction editor Jack Dann and several other writers and editors who knew him well. This will probably become a collector's item for sci-fi fans. Leslie Cohen |
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Nonpareil Fantasist Avram Davidson left our world - a world he magnified and enhanced with glimmering tales constructed according to his peculiar slant of intelligence and vision - in 1993. But since then, he's been well served by a host of loyal friends determined to keep his work alive. First came The Avram Davidson Treasury (1998), followed the same year by The Boss in the Wall, and shortly afterward by The Investigations of Avram Davidson (1999). Now we have the current book, subtitled Essential Jewish Tales of the Spirit, and edited by Jack Dann and Grania Davis. (And soon to come is another collection, The Other Nineteenth Century.) Not a bad legacy, and better than many other authors fare after their deaths. The volume under discussion today is divided into several sections. First comes Davidson's early works: sketches, poems, and short stories printed from 1947 to the start of Davidson's fully professional career. Serving as a break at midpoint is a small symposium wherein fellow writers reminisce about Davidson. Next up: a selection of Davidson's mature work. Finally, to close: some previously unpublished gems found among Davidson's effects after his death. Each item is perceptively introduced by one of the editors, or in the other cased by Davidson's son Ethan or by his literary custodian, Henry Wessells. These fact-filled paragraphs set everything firmly in historical and literary context. Additionally a biographical essay by Eileen Gunn rounds out the book. Because Davidson's religion was so essential to his art, having a chance to read his apprentice work centering on Judaic topics is invaluable, offering insights into all his later work. These stories by a young man just finding his stride are themselves well crafted and entertaining, albeit not of the magnitude of later work, although the brief parable "The Fisherman … A Tashlich Legend" packs a certain punch. But the fully formed stories are just glorious. "The Golem," "Goslin Day," "Dr. Morris Goldpepper Returns," and "The Crown Jewels of Jerusalem" all exhibit the unique Davidson blend of erudition, goofiness, and pathos. And the brand-new finds tease with dreams of what might have been had Davidson lived longer. Taken as a whole, this book is a crucial piece of Davidson monument still abuilding. Realms of Fantasy |
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